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"William Bomefeld’s science-fiction novel ‘Time and Light’ is set in a post-apocalyptic society called Fullerton, where photographs are forbidden. In place of the seductions of images, the inhabitants of Fullerton have the ‘pill’ (Half anti-depressant, half sexual stimulant)." - Steve Edwards, Photography: A Very Short Introduction. reblog like 0 "Reduced to basic elements, photographers intentions are as follows: first, to encode their concepts of the world into images; second, to do this by using a camera; third, to show the images produced in this way to others so that they can serve as models for their experience, knowledge, judgement and actions; fourth, to make these models as permanent as possible." - Vilem Flusser. Towards a Philosophy of Photography reblog like 1 reblog like 0

Last weeks hero / actor - Tim Block. 

(Shot on set in-between takes.)

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Moons, moments apart.

reblog like 0 "Picture a history of photography freed from the tyranny of the photograph. No longer confined to static objects or specific technologies, this history would instead engage the photographic image in all its various manifestations, wherever and in whatever form they have appeared. As a consequence, dissemination, rather than production, would become our study’s guiding logic. In taking this expanded view of its territory, the history of photography would at last fall into sync with its own story." - Disseminating Photography — www.brooklynrail.org — Readability (via photographsonthebrain) reblog like 38 reblog like 0 reblog like 1 reblog like 0

Whole Photographs, Set 3.

The idea.

There is a fantastic illusion in photography that we the viewer might actually be seeing our own experience. I was taught that the greatest photographers are invisible, an eye that feeds back to us some form of truth. It’s an idea I love and have cherished since i started taking photographs. An idea that translated into me shooting as naturally as possible, as far back as possible and as wide as possible - an open scene to look at… Though as I’ve recently felt at deep difficult odds with photography, I felt I needed to test that love I had…

I wondered what it would be like to view the world from within the lens of the camera itself, starkly apparent of the device that is capturing the image, as it masks the surroundings and narrows our view, and simultaneously have the camera providing the main light source within the scene. Taking away any natural quality of the light… I’m posting an edited selection on here as I progress with the idea…

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Whole Photographs, Set 2.

An unedited feed can be found here: http://instagram.com/iamrollo

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Whole Photographs, Set 1.

An unedited feed can be found here: http://instagram.com/iamrollo

reblog like 0 reblog like 1 "A photograph is without future, this is its pathos, its melancholy." - Roland Barthes reblog like 0
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